In Coralie Fargeat's brand new feminist horror flick The Substance, damaging popular charm specifications are the actual monsters. They (female objectification, the fingertip of "the outdated," the expansion of a field built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://wallace-langhamnews.national-wiki.com/952199/the_substance_2024
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